My *favorite sub was one I installed into my 06 tundra double cab. There was little room in it, and I used the back seat too much to put a sub under it - so I gutted the center console and built a ported sub into the console, facing the rear. It was a 0.5 cubic foot box with a single 6.5” Dayton subwoofer with a port… about 6” long by 1” inner diameter… I probably tuned it to about 55hz or so, maybe a touch lower, and shot for a flat response to f3. No, it could not get stupid loud, or even “loud“ (my taste, it could go louder than my wife ever wanted it), but it was smoooooooooooth. I also learned that for the cleanest sound, as it began to roll in around 110hz, I had to cut the 4 door speakers out at the same 110. Yes, they could have added bass, but it wasn’t clean. That little 6.5 had enough oomf to certainly cover rock, jazz, and my favorite, live R&B - type recordings. It handled Daft Punk just fine, putting even my Lexus to shame. All in a 6.5. The quality was fabulous, even if I was using 80% of its output most of the time.
i spent on quality, not quantity. The HU was alpine, which allowed a lot of control for what frequencies and delays went out each output, the amps were … idk… probably alpine as well, and the 4 door speakers were JBL, but those were a bit problematic.
jbl ships their separates out with the tweets way too hot. I had to build reduction networks to the tweeters to drop them a few db… I’m thinking it was 4.5. Kenwood has figured this out and offers a tweeter compensation feature on their newer decks. i went old school and built resistor networks past the crossover. For the money paid, believe me i was disappointed, but jbl is not alone in this - it is very common because bright highs sell in the demo room.
i didn’t use a lot of watts. I think the sub got 110 or so. Each door got … 50?
i also pulled off all the door panels and added insulation both to the door skins and also everywhere I could to weight down the door cards. It helped some. I went cheap and used the Home Depot “peel and stick“ gutter tape, a cheap alternative to acoustimat, but the truck did smell like hot tar for a summer.
i used an RTA app on my phone to dial out the hot spots on the EQ, and then the ear for final touches. (Note, if you ever tune with an RTA, don’t bother boosting EQ to fill in dead spots… they are dead due to physics, and boosting it won’t fight physics, it just eats power and adds distortion). in commercial audio and recording, EQ is a tool to cut out problems, and boosting is only to be used very very carefully, as it can cause a lot of cumulative problems.
fun stuff. Makes me almost want to go mess with the newer truck in the driveway… but I just can’t.… because as it was said earlier in this thread, once you start, it gets on you a bit like a disease!
great thread… you’re doing good!
i spent on quality, not quantity. The HU was alpine, which allowed a lot of control for what frequencies and delays went out each output, the amps were … idk… probably alpine as well, and the 4 door speakers were JBL, but those were a bit problematic.
jbl ships their separates out with the tweets way too hot. I had to build reduction networks to the tweeters to drop them a few db… I’m thinking it was 4.5. Kenwood has figured this out and offers a tweeter compensation feature on their newer decks. i went old school and built resistor networks past the crossover. For the money paid, believe me i was disappointed, but jbl is not alone in this - it is very common because bright highs sell in the demo room.
i didn’t use a lot of watts. I think the sub got 110 or so. Each door got … 50?
i also pulled off all the door panels and added insulation both to the door skins and also everywhere I could to weight down the door cards. It helped some. I went cheap and used the Home Depot “peel and stick“ gutter tape, a cheap alternative to acoustimat, but the truck did smell like hot tar for a summer.
i used an RTA app on my phone to dial out the hot spots on the EQ, and then the ear for final touches. (Note, if you ever tune with an RTA, don’t bother boosting EQ to fill in dead spots… they are dead due to physics, and boosting it won’t fight physics, it just eats power and adds distortion). in commercial audio and recording, EQ is a tool to cut out problems, and boosting is only to be used very very carefully, as it can cause a lot of cumulative problems.
fun stuff. Makes me almost want to go mess with the newer truck in the driveway… but I just can’t.… because as it was said earlier in this thread, once you start, it gets on you a bit like a disease!
great thread… you’re doing good!