Originally Posted By: Rhymingmechanic
Originally Posted By: NateDN10
I do sometimes still listen to CDs, but I do it at work so I don't have to worry about changing CDs while driving. In my car I have an iPod with an FM transmitter since my car doesn't have a 3.5mm jack.
What FM transmitter are you using? I was looking for awhile, but none of the Amazon reviews gave me much confidence. It would be nice to use the iPod in my truck without messing with a cassette adapter.
I'm hanging onto CDs for the sound quality HerrStig mentioned. It might not be the case, but a physical disk also seems more permanent than relying on the memory in a computer or handheld gadget.
Physical CDs depending on the manufacturing process can have a lifespan. Burned media /certainly/ does and some Record Store CDs I've bought definitely look like they were burned then silk screened. Burned media begins to fail in 2-6 years, accelerated by heat and light. Considering how cheap mass storage has become, you could rip them down without compression at ~45MB per song and keep a true copy. But then you'd have to worry about bit rot among various file system formats.... can't win!!
I'll be an audio snob for a moment and tag on to (playfully) HerrStig's comments above --- I'd argue that at a higher allowed data rate, or less compression, compressed audio can still sound good enough to expose the limits in redbook audio (CD format). Nyquist's Theorem, among others, are alive and well, and some folks didn't like even CD quality because it has some artifacts that weren't present in the previous analog formats. Sadly, FM radio, lower SQ than redbook, is clean enough to reveal the cräp-tons of processing the studios apply to recorded musicians these days; some need it, but some don't--- so sometimes our choices of medium don't matter as much since the source material is questionable.
I don't know about today, because I can only reliably here up to about 14khz or just under, but I used to easily discern between 44khz (CD) and 48khz (DVD and entry-level pro audio). I could not tell from 48khz to 96. As I've gotten older, I can't hear some of the artifacts that other folks discern. But I hear enough to sometimes prefer that 4" speaker that breaks up before I can detect pitch correction or some other "talent" knob that personally annoys...
My favorite was high speed analog tape.... even a 4-track cassette, rolling at double-speed made smooth, sweet recordings......
/rant off